Big krit new album 4eva is a mighty long time zip

collab вЂњBig BankвЂќ sounds like the sequel to Killer MikeвЂ™s вЂњ Big Beast.вЂќ But mostly, itвЂ™s on the low end of the frequency spectrum where K.R.I.T. And while K.R.I.T.вЂ™s spirituality feels more personal than communal, the churchвЂ™s influence is still prominent on organ & gospel chorus jams like вЂњKeep The devil Off.вЂќ The spaced out synths on вЂњAux CordвЂќ (co-produced by DJ Khalil and RogГ©t Chahayed) feel like they could have been pulled from a Curren$y record at his peak in 2010, and the controlled chaos of the T.I. Wuz Here, evolving to encompass the sounds of various parts of the South-Houston, New Orleans, Atlanta, and his home of Mississippi-into an aesthetic that is instantly familiar to its fans, if not specifically attributable to any one city. HeвЂ™s got some high-profile guest appearances from Southern rap titans ( Cee-Lo, T.I., UGK), but spread out over 22 tracks, he manages to avoid being overshadowed.ДЄs a producer, heвЂ™s mostly lived up to the promise he flashed on K.R.I.T. is at his strongest lyrically when he drops the macho facade (вЂњPlayed it too cool, almost like I froze, had to turn my flame on,вЂќ he raps on вЂњDrinking SessionsвЂќ), hindsightвЂ™s clarity granting him a more evolved perspective. Reflection rap from grizzled veterans is often poignant, and K.R.I.T. uncle wisdom for the Justin Scott half of the record, he avoids any awkward juxtaposition of his flexing and his meditations. The second, marked by his government name, Justin Scott, is considerably more vulnerable, with earnest tales of love, his relationship with God, and the вЂњPrice of Fame.вЂќ And in this way, at least, heвЂ™s well-served by the double album construction. persona, he of the booming subwoofers, candy-painted Cadillacs, and tough-guy talk. K.R.I.T.вЂ™s latest LP, 4eva Is a Mighty Long Time, finds him defiantly redrawing blurred lines between his work and home life-the first disc is dedicated to his Big K.R.I.T. doesnвЂ™t really seem to care if anyone thinks heвЂ™s the greatest rapper alive, as long as you know he holds it down. has never been overly concerned with lyrical dominance, brushing off Kendrick LamarвЂ™s name-check on вЂњControlвЂќ like he was annoyed to even have to respond. But unlike his New York contemporaries, K.R.I.T. In that way, he shares a similarity with the early work of New York formalists like Joey Bada$$ and Roc Marciano, who made their names capturing an aesthetic pulled from their cityвЂ™s most classic records.

His unapologetic reverence for UGK and Organized Noize is well-documented his work as a producer feels like a synthesis of the various branches of Southern rap history. cemented his reputation as a Southern rap traditionalist. More than two decades later, itвЂ™s clear that Big K.R.I.T. From the podium at Madison Square Garden, amid a chorus of boos, Dre declared вЂњThe South got somethinвЂ™ to say,вЂќ and over the next 10 years, people started listening.

And it was always dope-it just took the rest of the world a few years to catch up. With Southernplayalisticadillacmuzik, OutKast had made a record that was unapologetically of, by, and for the South. The scene was reminiscent of the 1995 Source Awards, when a provincial New York crowd met the announcement of OutKastвЂ™s victory for Best New Rap Group with jeers.

Big krit new album 4eva is a mighty long time zip